"Specimen #M: Incubated Gaze
Photograph from an installation. Aquarium, 3D print of gaze tracking data. 2026
"Echoes of Sight I", Digital collage. (from the series Disintegrating Archives)
Processed digital photograph, photographic collage, 40 × 30 cm. 2026
"Specimen #M: Incubated Gaze
Photograph from an installation. Aquarium, 3D print of gaze tracking data. 2026
"Specimen #M: Incubated Gaze
Photograph from an installation. Aquarium, 3D print of gaze tracking data. 2026
"Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions"
"Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions"
"Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions"
"Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions"
The work presents an aquarium filled with water, inside which a specimen of my own vision is suspended, transformed into matter through the intersection of biological sight and algorithmic systems. The starting point was the mapping of my gaze movement across a white background devoid of any object. In this condition, I isolated vision from the object and transformed it into a pure choreography of movement. When there is nothing to see, the gaze ceases to attach itself to the external world and returns inward as an echo. A seemingly technical action, yet one that exposes an internal mechanism of vision without image.
In the next stage, I directed the mapped data into an AI system, instructing it to generate a three dimensional volume according to predefined parameters, including gaze duration and movement patterns. The resulting output was a 3D model, which I later transformed into video and used as raw material for further experimental processes. Through the examination of different materials, and later through 3D printing, I explored vision as a mutable physical substance. In this work, I investigated frozen, fossilized vision, a gaze that hardened into a scab. What is seen and cannot be forgotten becomes imprinted as an internal material, a residue that does not disappear.
The work functions as both laboratory and experiment, where biological vision and machine vision, consciousness and subconsciousness, algorithms and awareness converge into a single shared gaze. The final specimen was 3D printed and submerged inside a glass aquarium. It is suspended at the center through fishing lines and weights, existing within the water as a new visual creature inhabiting the depths.
The creature exists within an underground shelter, on a cold grooved concrete floor and within a darkened space, isolated yet exposed to view. The aquarium functions as a closed system of vision and control. The creature, newly formed, is already subjected to examination, restrained, suspended, and displayed.
The action generates tension between natural movement and restraint, between what seeks to rise and what is held down below. Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions.
The work presents an aquarium filled with water, inside which a specimen of my own vision is placed, transformed into matter through the intersection of biological sight and algorithmic systems. The starting point was the mapping of my gaze movement across a white background devoid of any object. In this condition, I isolated vision from the object and transformed it into a pure choreography of movement. When there is nothing to see, the gaze ceases to attach itself to the external world and returns inward as an echo. In this work, I explored frozen, fossilized vision, a gaze that hardened into a scab. What is seen and cannot be forgotten becomes imprinted as an internal material, a residue that does not disappear.
The work functions as both laboratory and experiment, where biological vision and machine vision, consciousness and subconsciousness, algorithms and awareness converge into a single shared gaze. The final specimen was 3D printed and submerged inside a glass aquarium, existing within the water as a new visual creature inhabiting the depths.
The creature exists within an underground shelter, on a cold grooved concrete floor and inside a darkened space, isolated yet exposed to view. The aquarium functions as a closed system of vision and control. The creature, newly formed, is already subjected to examination, restrained, suspended, and displayed.
The action generates tension between natural movement and restraint, between what seeks to rise and what is held down below. Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions.
The work presents an aquarium filled with water, inside which a specimen of my own vision is placed, transformed into matter through the intersection of biological sight and algorithmic systems. The starting point was the mapping of my gaze movement across a white background devoid of any object. In this condition, I isolated vision from the object and transformed it into a pure choreography of movement. When there is nothing to see, the gaze ceases to attach itself to the external world and returns inward as an echo. In this work, I explored frozen, fossilized vision, a gaze that hardened into a scab. What is seen and cannot be forgotten becomes imprinted as an internal material, a residue that does not disappear.
The work functions as both laboratory and experiment, where biological vision and machine vision, consciousness and subconsciousness, algorithms and awareness converge into a single shared gaze. The final specimen was 3D printed and submerged inside a glass aquarium, existing within the water as a new visual creature inhabiting the depths.
The creature exists within an underground shelter, on a cold grooved concrete floor and inside a darkened space, isolated yet exposed to view. The aquarium functions as a closed system of vision and control. The creature, newly formed, is already subjected to examination, restrained, suspended, and displayed.
The action generates tension between natural movement and restraint, between what seeks to rise and what is held down below. Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions.
The work presents an aquarium filled with water, inside which a specimen of my own vision is placed, transformed into matter through the intersection of biological sight and algorithmic systems. The starting point was the mapping of my gaze movement across a white background devoid of any object. In this condition, I isolated vision from the object and transformed it into a pure choreography of movement. When there is nothing to see, the gaze ceases to attach itself to the external world and returns inward as an echo. In this work, I explored frozen, fossilized vision, a gaze that hardened into a scab. What is seen and cannot be forgotten becomes imprinted as an internal material, a residue that does not disappear.
The work functions as both laboratory and experiment, where biological vision and machine vision, consciousness and subconsciousness, algorithms and awareness converge into a single shared gaze. The final specimen was 3D printed and submerged inside a glass aquarium, existing within the water as a new visual creature inhabiting the depths.
The creature exists within an underground shelter, on a cold grooved concrete floor and inside a darkened space, isolated yet exposed to view. The aquarium functions as a closed system of vision and control. The creature, newly formed, is already subjected to examination, restrained, suspended, and displayed.
The action generates tension between natural movement and restraint, between what seeks to rise and what is held down below. Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions.
The work presents an aquarium filled with water, inside which a specimen of my own vision is placed, transformed into matter through the intersection of biological sight and algorithmic systems. The starting point was the mapping of my gaze movement across a white background devoid of any object. In this condition, I isolated vision from the object and transformed it into a pure choreography of movement. When there is nothing to see, the gaze ceases to attach itself to the external world and returns inward as an echo. In this work, I explored frozen, fossilized vision, a gaze that hardened into a scab. What is seen and cannot be forgotten becomes imprinted as an internal material, a residue that does not disappear.
The work functions as both laboratory and experiment, where biological vision and machine vision, consciousness and subconsciousness, algorithms and awareness converge into a single shared gaze. The final specimen was 3D printed and submerged inside a glass aquarium. It hangs at the center through fishing lines and weights, existing within the water as a new visual creature inhabiting the depths.
The creature exists within an underground shelter, on a cold grooved concrete floor and inside a darkened space, isolated yet exposed to view. The aquarium functions as a closed system of vision and control. The creature, newly formed, is already subjected to examination, restrained, suspended, and displayed.
The action generates tension between natural movement and restraint, between what seeks to rise and what is held down below. Vision, which began as abstract algorithmic data, becomes here a physical body subjected to forces of buoyancy, weight, and gravity. It is a system in which the residue of a gaze attempts to move, yet remains confined within predetermined conditions.