My practice investigates the shifting relationship between human perception and technological mediation, focusing on the hybrid gaze that emerges when vision becomes inseparable from machines. I employ cameras, AI software, digital residues and eye tracking devices as both instruments and subjects, mapping how technology reshapes movement, memory and identity.

The body, simultaneously anchor and point of departure, operates within this field of extended vision. Through metal, skin, decaying architecture and algorithmic traces, I construct works that are less about representation than activation, diagrams of becoming that expose the porous boundaries between the organic and the mechanical.

At the heart of this inquiry lies the recoding of gendered and maternal identity. I examine how cultural and bodily signs such as birthmarks, symbols and memory fragments function within systems of survival, recognition and social inscription. By reframing these signs through technological interfaces, I question how the gaze itself operates as a mechanism of coding, and how art might enable its recoding.

My work embraces the paradox of technology as both generative and unstable, it amplifies perception while revealing its failures. Each project functions as a moving diagram, unfolding across media and geographies, where vision is tested, fractured and reassembled. I seek not to produce static objects but evolving systems of relation, inviting viewers to inhabit the tension between human fragility and machinic extension.